ARTISTS AND CURATORS TALKS by Ron Athey / presentation
ARTISTS AND CURATORS TALKS///
Ron Athey, performance artist///
presentation of his artistic work ///
Ron Athey's earliest work dates back to collaborations with Rozz Williams during the early 1980s. Athey and Williams performed as "Premature Ejaculation," staging actions in clubs and galleries and producing experimental recordings and performances for camera. Their work together was photographed by Karen Filter and published in the punk magazine No Mag in 1982. The practice for which he is most known grows from performances developed for club contexts in Los Angeles, such as Club Fuck! and Sin-a-matic. In 1992, he staged his first major ensemble performance, Martyrs & Saints. This is the first of what the artist calls his Torture Trilogy. It was followed by 4 Scenes in a Harsh Life (1993-1996) and Deliverance (1995). These works were performed in the U.S., Mexico and in Europe. In 1998, he appeared in Sex/Life in L.A. Jochen Hick's adult documentary about the sex lives of the guys who make L.A. adult movies. His work has expanded into solo performances, collaborations, and into experimental theatre and opera. Solo performances include Solar Anus (1999), Self-Obliteration solos (2008-2011), a series of performances inspired by St. Sebastian (e.g. Sebastian Suspended, 1999; Sebastiane, 2014). His collaborative performances include the Incorruptible Flesh series, (1996-2013), commenced in collaboration with the late Chicago-based performance artist Lawrence Steger and continued in solo and collaborative installments. His most recent performances, such as Incorruptible Flesh (Messianic Remains) (2013) expand on aspects that define his earlier ensemble and collaborative work. Joyce (2002) is an experimental theatre work which uses projection and live performance to offer a portrait of the women who defined the artist's childhood. He and the artist Juliana Snapper developed Judas Cradle (2004-2005), an experimental opera. In 2010 he initiated a series of works investigating the rituals of spiritualism and Pentecostalism, Gifts of the Spirit.
About the school:
International summer school Curating in Context is developed in order to respond to the challenges that the growing influence of the concepts of curating and curatorial posed in the contemporary art field, beyond the sphere of visual arts. It is related to the question of the curatorial and its extended understanding which goes beyond black or white box presentation and representation politics.
The program includes lectures, seminars, artists and curators’ talks, discussions and interviews, as well as production of curatorial works and co-curatorial publication.
The summer school is intended for:
Practitioners who would like to pursue their career as curators in the contemporary performing arts or through interdisciplinary approach, and who would like to critically address representation politics and develop curatorial methods related to practices of activism, self-organization and critical reflection.
Curating in Context began as an activity developed as part of the Erasmus + project Curating in context and its partners Tanzfabrik Berlin, Stockholm University of the Arts and University of Zagreb.
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This year, the Summer School Curating in Context/2021 is part of a collaboration with Brain Store Project in frame of Performance Situation Room activity of Life Long Burning project, and it is supported by the Ministry of culture, City of Skopje and Creative Europe Program of the European Union.
Curating in Context is co-curated by Biljana Tanurovska–Kjulavkovski and Slavcho Dimitrov.
Lokomotiva team: program director Biljana Tanurovska Kjulavkovski, project manager Blagica Petrovska, program coordinators are Zorica Zafirovska and Kristina Todoroska Petreska, administrator Gjurgjica Hristovska and PR Dino Chupovski.
More about the program of the Summer School “Curating in Context” 2021
https://www.lokomotiva.org.mk/summer-school-program-2021/
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