ARTISTS AND CURATORS TALKS by Dena Davida / Presentation of Turba Journal for curating in live arts

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ARTISTS AND CURATORS TALKS ///

Dena Davida, PhD, postmodern dance practitioner as a performer, improviser, teacher, researcher, curator and writer /// 

Presentation of Turba Journal for curating in live arts ///

 

Abstract: Turba is the first journal for the study, theory, and praxis of curatorial strategies in live arts. In it's pages, we will create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices. Through this biannual hybrid publication we seek to connect, amplify, and contextualize those movements and voices in which the past, present and future of live arts is experienced and imagined. Turba will serve as a seismographic observatory for the impact of the live arts on societies and cultures around the globe.The first issue poses the seminal question 'Why curate live arts?' and is launched in spring 2021.

Reading list:

-              Turba leaflet vol.5 –pdf

-              Cica programme pdf

 

Dena Davida, PhD, has practiced postmodern dance as a performer and improvisor, teacher and researcher, and curator and writer for fifty years. Born in the U.S. in 1949 into a family of Jewish artists of Eastern European heritage, she immigrated to Canada in 1977, where she co-founded and curated Tangente (1980-2020), Quebec's premiere dance performance venue. At the Université du Québec à Montréal, she taught in the Dance Department (1979–2010) and completed her doctorate in artistic dance ethnography (2006) through the Programme d’études et pratiques des arts. She has published widely on dance and culture from a humanistic and politically engaged perspective, co-editing the anthologies Fields in Motion (2012) and Curating Live Arts (2014), and recently founded Turba: The Journal for Global Practices in Live Arts. Curation. 

denadavida.ca

 

About the school:

International summer school Curating in Context is developed in order to respond to the challenges that the growing influence of the concepts of curating and curatorial posed in the contemporary art field, beyond the sphere of visual arts. It is related to the question of the curatorial and its extended understanding which goes beyond black or white box presentation and representation politics.

The program includes lectures, seminars, artists and curators’ talks, discussions and interviews, as well as production of curatorial works and co-curatorial publication.

 

The summer school is intended for:

Practitioners who would like to pursue their career as curators in the contemporary performing arts or through interdisciplinary approach, and who would like to critically address representation politics and develop curatorial methods related to practices of activism, self-organization and critical reflection.

Curating in Context began as an activity developed as part of the Erasmus + project Curating in context and its partners Tanzfabrik Berlin, Stockholm University of the Arts and University of Zagreb.

 

*****

This year, the Summer School Curating in Context/2021 is part of a collaboration with Brain Store Project in frame of Performance Situation Room activity of Life Long Burning project, and it is supported by the Ministry of culture, City of Skopje and Creative Europe Program of the European Union.

Curating in Context is co-curated by Biljana Tanurovska–Kjulavkovski and Slavcho Dimitrov.

Lokomotiva team: program director Biljana Tanurovska Kjulavkovski, project manager Blagica Petrovska, program coordinators are Zorica Zafirovska and Kristina Todoroska Petreska, administrator Gjurgjica Hristovska and PR Dino Chupovski.

 

More about the program of the Summer School “Curating in Context” 2021

https://www.lokomotiva.org.mk/summer-school-program-2021/

 

 

 

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