LECTURE - Bronwyn Bailey-Charteris: Curating the Hydrocene



Bronwyn Bailey-Charteris' Lecture: Curating the Hydrocene


 Topic Tags: watery thinking response-ability bodies of water environmental humanities indigenous knowledge


The lecture will present a historical understanding of Hydrofeminism and its contemporary relations to the curatorial and artistic practice. The Hydrocene is leaky and relational, and amplifies the often unexamined perspectives on the interrelation of art, water, and intersectional feminisms
in relation to the climate crisis. Through gaining a deeper understanding of these artists' and curators' practices with water, the Hydrocene offers up a model for engaging with embodiment and response-ability (Haraway, 2016) to the interconnected zone of nature-culture. 


  •  Leaky vessel, watery thinking
  • Who do you invite into our leaky craft?
  • Thinking with water: way of research within the environmental humanities field, feminist new materialisms and indigenous knowledges
  • Core texts: Virginia Wolf’s The Waves, Rachel Carson’s The Sea Around Us, Paul Blackwell’s Undercurrent, Thinking with Water
  • Water as a metaphor but also water as material
  • How do some artists and curators think with water in their practice?
  • How does thinking with water develop artistic response-ability to the climate crisis?
  • Donna Harraway’s Situated Knowledges
  • How do you develop an ability to respond?
  • Astrida Neimanis’ Bodies of Water
  • Hydrofeminism: On Becoming a Body of Water

Document:

Wavy Conversations-Spilling and Flooding.pdf

 

Bronwyn Bailey-Charteris is a Swedish/Australian curator, writer, and lecturer based in Stockholm. Bronwyn is currently a Ph.D. student at the department of Art + Design at the University of New South Wales, researching water and art in her thesis titled ‘Swallowing the Hydrocene: Watery thinking for artistic ‘response-ability’ to the current climate crisis.’ Her research interests are focused on processes of ecology in contemporary art, water as a social metaphor and feminist methodologies. Working with practical learning platforms, artistic research, publications, and exhibitions, she has been present internationally as a curator and lecturer. She is also working in a research role at Accelerator, Stockholm University, as a guest lecturer in the Department of Dance at Stockholms Konstnärliga Högskola (Stockholm University of the Arts), as a guest lecturer in the Masters for Curatorial Practice, Stockholm University and was previously Curator at Index – The Swedish Contemporary Arts Foundation.
https://su-se.academia.edu/BronwynBaileyCharteris
https://bronwynbc.com/

 

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