Artists and Curators Talk with Marta Popivoda

By -

 


Artists and Curators Talk with Marta Popivoda (Serbia/Germany)


Topic Tags: Social choreography social drama archive collective slow cinema

  • Yugoslavia: How Ideology Moved Our Collective Body (https://vimeo.com/155110078)
  • Embodied socialist ideology
  • Social choreography (concept by Andrew Hewitt): aesthetic reflex, how our bodies are organized in space under direct influence of the dominant ideology
  • Social drama (concept by Victor Turner): liminal moments in society when change is possible, a moment of breaking social choreography
  • Cherishing collective practice in art-making and research
  • Politics of slowness and slow cinema
  • Landscape dramaturgy: landscapes of revolution and resistance
  • How can we inhabit the landscape with different gazes at the same time (if the camera presents one gaze)?
  • How can we multiply these gazes?
  • Body as an archive
  • Slow cinema reflecting on performing arts: slow dance, slow movement
  • If we travel less, what will happen? If we produce less, what will happen?

References from Marta Popivoda:

 

Ana Vujanovic, Meandering together: New problems in landscape dramaturgy (pdf)
https://www.academia.edu/34879796/Meandering_together_New_problems_in_landscapedramaturgy

Info about the Freedom Landscapes, cinematic-performance
https://mladinsko.com/en/program/31/national-reconciliation-freedom-landscapes/

Performance booklet/journal (pdf)
https://mladinsko.com/media/theatre/shows/2018/11/27/Narodna_sprava_-_Krajine_Svobode_List.pdf

Yugoslavia, How Ideology Moved Our Collective Body, trailer & film
https://vimeo.com/ondemand/yugoslavia

Marta Popivoda web llnk:

https://www.martapopivoda.info/


Marta Popivoda (Belgrade) is a Berlin-based filmmaker, video-artist, and researcher. Her work explores tensions between memory and history, collective and individual bodies, as well as ideology and everyday life, with a focus on antifascist and feminist potentialities of the Yugoslav socialist project. She cherishes collective practice in art-making and research, and for several years has been part of TkH (Walking Theory) collective. Popivoda’s first feature documentary, Yugoslavia, How Ideology Moved Our Collective Body, premiered at the 63rd Berlinale and was later screened at many international film festivals. The film is part of the permanent collection of MoMA New York, and it’s featured in What Is Contemporary Art?, MoMA’s online course about contemporary art from 1980 to the present. Her work has also featured in major art galleries, such as Tate Modern London, MoMA New York, M HKA Antwerp, Museum of Modern Art + MSUM Ljubljana, etc. Recently, Popivoda received the prestigious Berlin Art Prize for the visual arts by Akademie der Künste Berlin and Edith-Russ-Haus Award for Emerging Media Artist. She is currently finishing her second feature-length documentary Landscapes of Resistance.


Comments

Post a Comment

Contact Form

Name

Email *

Message *

Popular posts from this blog

PUBLIC DISCUSSION / ARTISTS AND CURATORS TALKS / COLLECTIVE CURATING OR CO-CURATORIAL COLLABORATIVE PROCESSES /

By -
Image
    PUBLIC DISCUSSION/// ARTISTS AND CURATORS TALKS /// COLLECTIVE CURATING OR CO-CURATORIAL COLLABORATIVE PROCESSES///  Jasmina Založnik, dramaturge, writer and producer /  Paz Ponze, independent curator, writer & researcher of contemporary artistic creation / Jovanka Popova curator in the Museum of Contemporary Art, Skopje / Mira Gakjina, senior curator at the Museum for Contemporary Art, Skopje      Moderators: Biljana Tanurovska – Kjulavkovski and Slavco Dimitrov      Jasmina Založnik is a dramaturge, publicist and producer primarily engaged in the field of contemporary dance. Over the last years, she has focused on recent histories of contemporary performing art and choreography, and their multiple relations to everyday life. She is interested in strategies of social politicization and emancipation. Her work is mainly developed in a dialogue with various colleagues, most often in close collaboration with Rok Vevar w...
Read more

SEMINAR – Suzana Milevska: Becoming-Curator vs. Becoming a Curator

By -
Image
SEMINAR – Suzana Milevska (North Macedonia): Becoming-Curator vs. Becoming a Curator Abstract :  Topic Tags: Curating curatorial curator offspring curatorial agency In recent times, curating has provided a point of cross-disciplinary interchange between several distinguished disciplines and professions that deal with art. The courses and university departments that initially taught curating as a subject mainly focused on its practice, but such a dichotomy no longer exists now that curating is taught as a subject or course in many different departments and universities, and the term itself is used in a much broader terms. This presentation will therefore address the question how the concept of curatorial relates to both the theory and practice of curating. I want to argue that “curatorial” and “curatorial knowledge” have advanced into terms that encompass the condition in which philosophy, theory and epistemology are intertwined and produced a new discourse and culture th...
Read more

WORKSHOP - Danae Theodoridou: Artificial Social Imaginaries: Curation of Live Events as Construction Sites for Social Change

By -
Image
  Danae Theodoridou: Artificial Social Imaginaries: Curation of Live Events as Construction Sites for Social Change Through a series of individual and group tasks of reading, writing, discussing, questioning, designing and testing, this workshop will involve students in a critical process that aims to reflect on the relation between curatorial practices and social change. In this frame, we will approach the design of any curatorial project as an artificial construction site for the creation of alternative social imaginaries, i.e. as a concrete alternative proposal about the way we imagine and practice our social coexistence. The act of curating will, thus, be worked as a practice that moves away from established norms and social habits; as the crafting of social encounters towards more imaginative, unknown directions, away from capitalist demands that strive for the ‘groundbreaking’, the ‘new’, the ‘successful’, the controllable, popular, profitable and effective product. Key terms...
Read more

ARTISTS AND CURATORS TALKS by Barbara Bryan / presentation of her work in Movement Research

By -
Image
  ARTISTS AND CURATORS TALKS///  Barbara Bryan, Executive director of Movement Research New York, independent art producer and curator/// presentation of her work as a curator and executive director in Movement Research///   ABSTRACT:   As the Executive Director of Movement Research, my role is to innovate curatorial and programmatic structures that hold space for the amplification of artists’ voices in curation and programmatic planning. My goal is to conceive fluid and malleable formats that support evolving and emergent practices, and new voices in the field. Questions that I ask from a curatorial framework are how to be responsive, rather than reactive, to evolving discourse and trends in experimental dance and the intersections of socio-political contexts and activism? How do we develop frameworks that have flexibility built in to the fabric of the format, and thus are not formulaic, but rather are ideations that can be stretched, reshaped and reimagined by ...
Read more

Artists and Curators Talks with Kristina Lelovac and Jana Kocevska (Tiiit Inc.)

By -
Image
  Artists and Curators Talks with Kristina Lelovac and Jana Kocevska (Tiiit Inc.) Topic Tags:   festival feminism intersectionality independent cultural scen e co-creation   ·          Prvo pa Zhensko Festival (First Born Girl) ·          Program structure: balancing theory, art, popular content ·          Festival production core values: togetherness, inclusiveness, intersectionality, solidarity ·          Building communities and audiences to breed alliances ·          Co-creation between organizations, institutions, individuals ·          Supported from local independent cultural scene ·          Prvo Pa Zhensko Festival 7 video: https://tiiiitinc.com/public/index.php/en...
Read more